Глиняная фигурка Чжан, Тяньцзин - рай искусства
Тяньцзинь‘s clay figure Zhang, known for its vibrant and intricately crafted sculptures, stands as a beloved traditional folk art with a rich history spanning 180 years. The art form has evolved and garnered global recognition, showcasing lively imagery and a rich palette that captivates the hearts of its audience.
Историческая справка
The origins of “泥人张” (Niren Zhang), or Clay Figure Zhang, date back to 180 years ago. Founded by Zhang Changlin (1826-1906), this traditional folk art has endured and flourished, becoming a pinnacle in Chinese folk handicraft history. Zhang Changlin, a prominent figure in Chinese art history, demonstrated exceptional insight and speculative thinking in portraying contemporary customs through his art.
Born to Zhang Wanquan, a former official, Zhang Changlin initially engaged in crafting small stone animals and stationery in Tianjin. However, it was Zhang Changlin’s son, Zhang Mingshan, who, at the age of thirteen, departed from traditional schooling to pursue clay sculpture. Tianjin, a bustling port city, provided ample opportunities for observation, with vibrant marketplaces, theatrical performances, and the presence of renowned actors influencing Zhang Mingshan’s artistic development. His skill was acknowledged when, at the age of eighteen, he sculpted a lifelike and expressive stage costume for the actor Yu Sansheng in a performance of “Yellow Crane Tower,” marking the beginning of his fame.
A 1947 article in “Da Gong Bao” pays tribute to Zhang Mingshan’s artistic process, highlighting his ability to discreetly observe and sketch characters during theatrical performances. His sculptures seamlessly combined elements of traditional clay modeling and detailed painting, creating lifelike representations with a profound sense of realism.
Artistic Technique
The artistic process of “Clay Figure Zhang” involves a unique combination of sculpture and painting. The initial focus lies in sculpting the dynamic form of the subject, capturing the essence of the character. Attention is then turned to detailing clothing and textures, maintaining the integrity of the skeletal structure. The subsequent painting process draws inspiration from traditional Chinese brushwork, infusing the sculptures with light and color. The seamless integration of sculpting and painting results in a portrayal of life that is both authentic and compelling, inviting viewers to discover beauty in the ordinary and the intricate details.
Diverse Themes
The thematic scope of “Clay Figure Zhang” is expansive, ranging from reflections of everyday life to depictions of stage dramas and direct adaptations from classical literary masterpieces such as “Water Margin,” “Dream of the Red Chamber,” and “Romance of the Three Kingdoms.” The sculptures not only exhibit visual resemblance but also encapsulate the spirit of the characters, achieving a harmonious balance between form and essence. The color palette employed by “Clay Figure Zhang” is elegant and vivid, with meticulous attention to materials ensuring the longevity of the sculptures, earning them international acclaim.
Artistic Form and Purpose
Clay figure Zhang belongs to the category of indoor display sculptures, characterized by moderate dimensions, typically around 40 centimeters in height. Also known as “架上雕塑” (Jiashang Diaosu), or shelf sculptures, these artworks find their place on desks or shelves, serving both as decorative pieces and a form of artistic expression. This versatile art form plays a crucial role in enhancing social spaces and beautifying environments, illustrating its significance in serving society and contributing to aesthetic enrichment.
In conclusion, the legacy of clay figure Zhang in Tianjin embodies a profound cultural and artistic heritage. From its inception 180 years ago to its global recognition today, this traditional folk art continues to enchant audiences with its dynamic sculptures and vibrant colors, preserving the essence of Chinese craftsmanship and storytelling in a unique and visually stunning manner.
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